36 “Bezalel and Oholiab, along with everyone whom God has given the skill and know-how for making everything involved in the worship of the Sanctuary as commanded by God, are to start to work.”

2-3 Moses summoned Bezalel and Oholiab along with all whom God had gifted with the ability to work skillfully with their hands. The men were eager to get started and engage in the work. They took from Moses all the offerings that the Israelites had brought for the work of constructing the Sanctuary. The people kept on bringing in their freewill offerings, morning after morning.

4-5 All the artisans who were at work making everything involved in constructing the Sanctuary came, one after another, to Moses, saying, “The people are bringing more than enough for doing this work that God has commanded us to do!”

6-7 So Moses sent out orders through the camp: “Men! Women! No more offerings for the building of the Sanctuary!”

The people were ordered to stop bringing offerings! There was plenty of material for all the work to be done. Enough and more than enough.

The Tapestries

8-13 Then all the skilled artisans on The Dwelling made ten tapestries of fine twisted linen and blue, purple, and scarlet fabric with an angel-cherubim design worked into the material. Each panel of tapestry was forty-six feet long and six feet wide. Five of the panels were joined together, and then the other five. Loops of blue were made along the edge of the outside panel of the first set, and the same on the outside panel of the second set. They made fifty loops on each panel, with the loops opposite each other. Then they made fifty gold clasps and joined the tapestries together so that The Dwelling was one whole.

14-19 Next they made tapestries of woven goat hair for a tent that would cover The Dwelling. They made eleven panels of these tapestries. The length of each panel was forty-five feet long and six feet wide. They joined five of the panels together, and then the other six, by making fifty loops along the edge of the end panel and fifty loops along the edge of the joining panel, then making fifty clasps of bronze, connecting the clasps to the loops, bringing the tent together. They finished it off by covering the tapestries with tanned rams’ skins dyed red, and covered that with dolphin skins.

The Framing

20-30 They framed The Dwelling with vertical planks of acacia wood, each section of frame fifteen feet long and two and a quarter feet wide, with two pegs for securing them. They made all the frames identical: twenty frames for the south side, with forty silver sockets to receive the two tenons from each of the twenty frames; they repeated that construction on the north side of The Dwelling. For the rear of The Dwelling facing west, they made six frames, with two additional frames for the rear corners. Both of the two corner frames were double in thickness from top to bottom and fit into a single ring—eight frames altogether with sixteen sockets of silver, two under each frame.

31-34 They made crossbars of acacia wood, five for the frames on one side of The Dwelling, five for the other side, and five for the back side facing west. The center crossbar ran from end to end halfway up the frames. They covered the frames with a veneer of gold, made gold rings to hold the crossbars, and covered the crossbars with a veneer of gold.

35-36 They made the curtain of blue, purple, and scarlet material and fine twisted linen. They wove a design of angel-cherubim into it. They made four posts of acacia wood, covered them with a veneer of gold, and cast four silver bases for them.

37-38 They made a screen for the door of the tent, woven from blue, purple, and scarlet material and fine twisted linen with embroidery. They framed the weaving with five poles of acacia wood covered with a veneer of gold, and made gold hooks to hang the weaving and five bronze bases for the poles.

The Chest

37 1-5 Bezalel made the Chest using acacia wood: He made it three and three-quarters feet long and two and a quarter feet wide and deep. He covered it inside and out with a veneer of pure gold and made a molding of gold all around it. He cast four gold rings and attached them to its four feet, two rings on one side and two rings on the other. He made poles from acacia wood, covered them with a veneer of gold, and inserted the poles for carrying the Chest into the rings on the sides.

Next he made a lid of pure gold for the Chest, an Atonement-Cover, three and three-quarters feet long and two and a quarter feet wide.

7-9 He sculpted two winged angel-cherubim out of hammered gold for the ends of the Atonement-Cover, one angel at one end, one angel at the other. He made them of one piece with the Atonement-Cover. The angels had outstretched wings and appeared to hover over the Atonement-Cover, facing one another but looking down on the Atonement-Cover.

The Table

10-15 He made the Table from acacia wood. He made it three feet long, one and a half feet wide and two and a quarter feet high. He covered it with a veneer of pure gold and made a molding of gold all around it. He made a border a handbreadth wide all around it and a rim of gold for the border. He cast four rings of gold for it and attached the rings to the four legs parallel to the tabletop. They will serve as holders for the poles used to carry the Table. He made the poles of acacia wood and covered them with a veneer of gold. They will be used to carry the Table.

16 Out of pure gold he made the utensils for the Table: its plates, bowls, jars, and jugs used for pouring.

The Lampstand

17-23 He made a Lampstand of pure hammered gold, making its stem and branches, cups, calyxes, and petals all of one piece. It had six branches, three from one side and three from the other; three cups shaped like almond blossoms with calyxes and petals on one branch, three on the next, and so on—the same for all six branches. On the main stem of the Lampstand, there were four cups shaped like almonds, with calyxes and petals, a calyx extending from under each pair of the six branches. The entire Lampstand with its calyxes and stems was fashioned from one piece of hammered pure gold. He made seven of these lamps with their candle snuffers, all out of pure gold.

24 He used a seventy-five-pound brick of pure gold to make the Lampstand and its accessories.

The Altar of Incense

25-28 He made an Altar for burning incense from acacia wood. He made it a foot and a half square and three feet high, with its horns of one piece with it. He covered it with a veneer of pure gold, its top, sides, and horns, and made a gold molding around it with two rings of gold beneath the molding. He placed the rings on the two opposing sides to serve as holders for poles by which it will be carried. He made the poles of acacia wood and covered them with a veneer of gold.

29 He also prepared with the art of a perfumer the holy anointing oil and the pure aromatic incense.

The Altar of Whole-Burnt-Offering

38 1-7 He made the Altar of Whole-Burnt-Offering from acacia wood. He made it seven and a half feet square and four and a half feet high. He made horns at each of the four corners. The horns were made of one piece with the Altar and covered with a veneer of bronze. He made from bronze all the utensils for the Altar: the buckets for removing the ashes, shovels, basins, forks, and fire pans. He made a grate of bronze mesh under the ledge halfway up the Altar. He cast four rings at each of the four corners of the bronze grating to hold the poles. He made the poles of acacia wood and covered them with a veneer of bronze. He inserted the poles through the rings on the two sides of the Altar for carrying it. The Altar was made out of boards; it was hollow.

The Washbasin

He made the Bronze Washbasin and its bronze stand from the mirrors of the women’s work group who were assigned to serve at the entrance to the Tent of Meeting.

The Courtyard

9-11 And he made the Courtyard. On the south side the hangings for the Courtyard, woven from fine twisted linen, were 150 feet long, with their twenty posts and twenty bronze bases, and fastening hooks and bands of silver. The north side was exactly the same.

12-20 The west end of the Courtyard had seventy-five feet of hangings with ten posts and bases, and fastening hooks and bands of silver. Across the seventy-five feet at the front, or east end, were twenty-two and a half feet of hangings, with their three posts and bases on one side and the same for the other side. All the hangings around the Courtyard were of fine twisted linen. The bases for the posts were bronze and the fastening hooks and bands on the posts were of silver. The posts of the Courtyard were both capped and banded with silver. The screen at the door of the Courtyard was embroidered in blue, purple, and scarlet fabric with fine twisted linen. It was thirty feet long and seven and a half feet high, matching the hangings of the Courtyard. There were four posts with bases of bronze and fastening hooks of silver; they were capped and banded in silver. All the pegs for The Dwelling and the Courtyard were made of bronze.

* * *

21-23 This is an inventory of The Dwelling that housed The Testimony drawn up by order of Moses for the work of the Levites under Ithamar, son of Aaron the priest. Bezalel, the son of Uri, son of Hur, of the tribe of Judah, made everything that God had commanded Moses. Working with Bezalel was Oholiab, the son of Ahisamach, of the tribe of Dan, an artisan, designer, and embroiderer in blue, purple, and scarlet fabrics and fine linen.

24 Gold. The total amount of gold used in construction of the Sanctuary, all of it contributed freely, weighed out at 1,900 pounds according to the Sanctuary standard.

25-28 Silver. The silver from those in the community who were registered in the census came to 6,437 pounds according to the Sanctuary standard—that amounted to a beka, or half-shekel, for every registered person aged twenty and over, a total of 603,550 men. They used the three and one-quarter tons of silver to cast the bases for the Sanctuary and for the hangings, one hundred bases at sixty-four pounds each. They used the remaining thirty-seven pounds to make the connecting hooks on the posts, and the caps and bands for the posts.

29-31 Bronze. The bronze that was brought in weighed 4,522 pounds. It was used to make the door of the Tent of Meeting, the Bronze Altar with its bronze grating, all the utensils of the Altar, the bases around the Courtyard, the bases for the gate of the Courtyard, and all the pegs for The Dwelling and the Courtyard.

36 So Bezalel, Oholiab and every skilled person(A) to whom the Lord has given skill and ability to know how to carry out all the work of constructing the sanctuary(B) are to do the work just as the Lord has commanded.”

Then Moses summoned Bezalel(C) and Oholiab(D) and every skilled person to whom the Lord had given ability and who was willing(E) to come and do the work. They received from Moses all the offerings(F) the Israelites had brought to carry out the work of constructing the sanctuary. And the people continued to bring freewill offerings morning after morning. So all the skilled workers who were doing all the work on the sanctuary left what they were doing and said to Moses, “The people are bringing more than enough(G) for doing the work the Lord commanded to be done.”

Then Moses gave an order and they sent this word throughout the camp: “No man or woman is to make anything else as an offering for the sanctuary.” And so the people were restrained from bringing more, because what they already had was more(H) than enough to do all the work.

The Tabernacle(I)

All those who were skilled among the workers made the tabernacle with ten curtains of finely twisted linen and blue, purple and scarlet yarn, with cherubim woven into them by expert hands. All the curtains were the same size—twenty-eight cubits long and four cubits wide.[a] 10 They joined five of the curtains together and did the same with the other five. 11 Then they made loops of blue material along the edge of the end curtain in one set, and the same was done with the end curtain in the other set. 12 They also made fifty loops on one curtain and fifty loops on the end curtain of the other set, with the loops opposite each other. 13 Then they made fifty gold clasps and used them to fasten the two sets of curtains together so that the tabernacle was a unit.(J)

14 They made curtains of goat hair for the tent over the tabernacle—eleven altogether. 15 All eleven curtains were the same size—thirty cubits long and four cubits wide.[b] 16 They joined five of the curtains into one set and the other six into another set. 17 Then they made fifty loops along the edge of the end curtain in one set and also along the edge of the end curtain in the other set. 18 They made fifty bronze clasps to fasten the tent together as a unit.(K) 19 Then they made for the tent a covering of ram skins dyed red, and over that a covering of the other durable leather.[c]

20 They made upright frames of acacia wood for the tabernacle. 21 Each frame was ten cubits long and a cubit and a half wide,[d] 22 with two projections set parallel to each other. They made all the frames of the tabernacle in this way. 23 They made twenty frames for the south side of the tabernacle 24 and made forty silver bases to go under them—two bases for each frame, one under each projection. 25 For the other side, the north side of the tabernacle, they made twenty frames 26 and forty silver bases—two under each frame. 27 They made six frames for the far end, that is, the west end of the tabernacle, 28 and two frames were made for the corners of the tabernacle at the far end. 29 At these two corners the frames were double from the bottom all the way to the top and fitted into a single ring; both were made alike. 30 So there were eight frames and sixteen silver bases—two under each frame.

31 They also made crossbars of acacia wood: five for the frames on one side of the tabernacle, 32 five for those on the other side, and five for the frames on the west, at the far end of the tabernacle. 33 They made the center crossbar so that it extended from end to end at the middle of the frames. 34 They overlaid the frames with gold and made gold rings to hold the crossbars. They also overlaid the crossbars with gold.

35 They made the curtain(L) of blue, purple and scarlet yarn and finely twisted linen, with cherubim woven into it by a skilled worker. 36 They made four posts of acacia wood for it and overlaid them with gold. They made gold hooks for them and cast their four silver bases. 37 For the entrance to the tent they made a curtain of blue, purple and scarlet yarn and finely twisted linen—the work of an embroiderer;(M) 38 and they made five posts with hooks for them. They overlaid the tops of the posts and their bands with gold and made their five bases of bronze.

The Ark(N)

37 Bezalel(O) made the ark(P) of acacia wood—two and a half cubits long, a cubit and a half wide, and a cubit and a half high.[e] He overlaid it with pure gold,(Q) both inside and out, and made a gold molding around it. He cast four gold rings for it and fastened them to its four feet, with two rings on one side and two rings on the other. Then he made poles of acacia wood and overlaid them with gold. And he inserted the poles into the rings on the sides of the ark to carry it.

He made the atonement cover(R) of pure gold—two and a half cubits long and a cubit and a half wide. Then he made two cherubim(S) out of hammered gold at the ends of the cover. He made one cherub on one end and the second cherub on the other; at the two ends he made them of one piece with the cover. The cherubim had their wings spread upward, overshadowing(T) the cover with them. The cherubim faced each other, looking toward the cover.(U)

The Table(V)

10 They[f] made the table(W) of acacia wood—two cubits long, a cubit wide and a cubit and a half high.[g] 11 Then they overlaid it with pure gold(X) and made a gold molding around it. 12 They also made around it a rim a handbreadth[h] wide and put a gold molding on the rim. 13 They cast four gold rings for the table and fastened them to the four corners, where the four legs were. 14 The rings(Y) were put close to the rim to hold the poles used in carrying the table. 15 The poles for carrying the table were made of acacia wood and were overlaid with gold. 16 And they made from pure gold the articles for the table—its plates and dishes and bowls and its pitchers for the pouring out of drink offerings.

The Lampstand(Z)

17 They made the lampstand(AA) of pure gold. They hammered out its base and shaft, and made its flowerlike cups, buds and blossoms of one piece with them. 18 Six branches extended from the sides of the lampstand—three on one side and three on the other. 19 Three cups shaped like almond flowers with buds and blossoms were on one branch, three on the next branch and the same for all six branches extending from the lampstand. 20 And on the lampstand were four cups shaped like almond flowers with buds and blossoms. 21 One bud was under the first pair of branches extending from the lampstand, a second bud under the second pair, and a third bud under the third pair—six branches in all. 22 The buds and the branches were all of one piece with the lampstand, hammered out of pure gold.(AB)

23 They made its seven lamps,(AC) as well as its wick trimmers and trays, of pure gold. 24 They made the lampstand and all its accessories from one talent[i] of pure gold.

The Altar of Incense(AD)

25 They made the altar of incense(AE) out of acacia wood. It was square, a cubit long and a cubit wide and two cubits high[j]—its horns(AF) of one piece with it. 26 They overlaid the top and all the sides and the horns with pure gold, and made a gold molding around it. 27 They made two gold rings(AG) below the molding—two on each of the opposite sides—to hold the poles used to carry it. 28 They made the poles of acacia wood and overlaid them with gold.(AH)

29 They also made the sacred anointing oil(AI) and the pure, fragrant incense(AJ)—the work of a perfumer.

The Altar of Burnt Offering(AK)

38 They[k] built the altar of burnt offering of acacia wood, three cubits[l] high; it was square, five cubits long and five cubits wide.[m] They made a horn at each of the four corners, so that the horns and the altar were of one piece, and they overlaid the altar with bronze.(AL) They made all its utensils(AM) of bronze—its pots, shovels, sprinkling bowls, meat forks and firepans. They made a grating for the altar, a bronze network, to be under its ledge, halfway up the altar. They cast bronze rings to hold the poles for the four corners of the bronze grating. They made the poles of acacia wood and overlaid them with bronze. They inserted the poles into the rings so they would be on the sides of the altar for carrying it. They made it hollow, out of boards.

The Basin for Washing

They made the bronze basin(AN) and its bronze stand from the mirrors of the women(AO) who served at the entrance to the tent of meeting.

The Courtyard(AP)

Next they made the courtyard. The south side was a hundred cubits[n] long and had curtains of finely twisted linen, 10 with twenty posts and twenty bronze bases, and with silver hooks and bands on the posts. 11 The north side was also a hundred cubits long and had twenty posts and twenty bronze bases, with silver hooks and bands on the posts.

12 The west end was fifty cubits[o] wide and had curtains, with ten posts and ten bases, with silver hooks and bands on the posts. 13 The east end, toward the sunrise, was also fifty cubits wide. 14 Curtains fifteen cubits[p] long were on one side of the entrance, with three posts and three bases, 15 and curtains fifteen cubits long were on the other side of the entrance to the courtyard, with three posts and three bases. 16 All the curtains around the courtyard were of finely twisted linen. 17 The bases for the posts were bronze. The hooks and bands on the posts were silver, and their tops were overlaid with silver; so all the posts of the courtyard had silver bands.

18 The curtain for the entrance to the courtyard was made of blue, purple and scarlet yarn and finely twisted linen—the work of an embroiderer. It was twenty cubits[q] long and, like the curtains of the courtyard, five cubits[r] high, 19 with four posts and four bronze bases. Their hooks and bands were silver, and their tops were overlaid with silver. 20 All the tent pegs(AQ) of the tabernacle and of the surrounding courtyard were bronze.

The Materials Used

21 These are the amounts of the materials used for the tabernacle, the tabernacle of the covenant law,(AR) which were recorded at Moses’ command by the Levites under the direction of Ithamar(AS) son of Aaron, the priest. 22 (Bezalel(AT) son of Uri, the son of Hur, of the tribe of Judah, made everything the Lord commanded Moses; 23 with him was Oholiab(AU) son of Ahisamak, of the tribe of Dan—an engraver and designer, and an embroiderer in blue, purple and scarlet yarn and fine linen.) 24 The total amount of the gold from the wave offering used for all the work on the sanctuary(AV) was 29 talents and 730 shekels,[s] according to the sanctuary shekel.(AW)

25 The silver obtained from those of the community who were counted in the census(AX) was 100 talents[t] and 1,775 shekels,[u] according to the sanctuary shekel— 26 one beka per person,(AY) that is, half a shekel,[v] according to the sanctuary shekel,(AZ) from everyone who had crossed over to those counted, twenty years old or more,(BA) a total of 603,550 men.(BB) 27 The 100 talents of silver were used to cast the bases(BC) for the sanctuary and for the curtain—100 bases from the 100 talents, one talent for each base. 28 They used the 1,775 shekels to make the hooks for the posts, to overlay the tops of the posts, and to make their bands.

29 The bronze from the wave offering was 70 talents and 2,400 shekels.[w] 30 They used it to make the bases for the entrance to the tent of meeting, the bronze altar with its bronze grating and all its utensils, 31 the bases for the surrounding courtyard and those for its entrance and all the tent pegs for the tabernacle and those for the surrounding courtyard.

Footnotes

  1. Exodus 36:9 That is, about 42 feet long and 6 feet wide or about 13 meters long and 1.8 meters wide
  2. Exodus 36:15 That is, about 45 feet long and 6 feet wide or about 14 meters long and 1.8 meters wide
  3. Exodus 36:19 Possibly the hides of large aquatic mammals (see 35:7)
  4. Exodus 36:21 That is, about 15 feet long and 2 1/4 feet wide or about 4.5 meters long and 68 centimeters wide
  5. Exodus 37:1 That is, about 3 3/4 feet long and 2 1/4 feet wide and high or about 1.1 meters long and 68 centimeters wide and high; similarly in verse 6
  6. Exodus 37:10 Or He; also in verses 11-29
  7. Exodus 37:10 That is, about 3 feet long, 1 1/2 feet wide and 2 1/4 feet high or about 90 centimeters long, 45 centimeters wide and 68 centimeters high
  8. Exodus 37:12 That is, about 3 inches or about 7.5 centimeters
  9. Exodus 37:24 That is, about 75 pounds or about 34 kilograms
  10. Exodus 37:25 That is, about 1 1/2 feet long and wide and 3 feet high or about 45 centimeters long and wide and 90 centimeters high
  11. Exodus 38:1 Or He; also in verses 2-9
  12. Exodus 38:1 That is, about 4 1/2 feet or about 1.4 meters
  13. Exodus 38:1 That is, about 7 1/2 feet or about 2.3 meters long and wide
  14. Exodus 38:9 That is, about 150 feet or about 45 meters
  15. Exodus 38:12 That is, about 75 feet or about 23 meters
  16. Exodus 38:14 That is, about 22 feet or about 6.8 meters
  17. Exodus 38:18 That is, about 30 feet or about 9 meters
  18. Exodus 38:18 That is, about 7 1/2 feet or about 2.3 meters
  19. Exodus 38:24 The weight of the gold was a little over a ton or about 1 metric ton.
  20. Exodus 38:25 That is, about 3 3/4 tons or about 3.4 metric tons; also in verse 27
  21. Exodus 38:25 That is, about 44 pounds or about 20 kilograms; also in verse 28
  22. Exodus 38:26 That is, about 1/5 ounce or about 5.7 grams
  23. Exodus 38:29 The weight of the bronze was about 2 1/2 tons or about 2.4 metric tons.