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    better than the fragrance of your perfumes.[a]
Your name is a flowing perfume—
therefore young women love you.
(A)Draw me after you! Let us run![b]
    The king has brought me to his bed chambers.
Let us exult and rejoice in you;
    let us celebrate your love: it is beyond wine!
    Rightly do they love you!

Love’s Boast

W I am black and beautiful,
    Daughters of Jerusalem[c]
Like the tents of Qedar,
    like the curtains of Solomon.

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Footnotes

  1. 1:3 Your perfumes: shemen (perfume) is a play on shem (name).
  2. 1:4 Another change, but from second to third person (cf. 1:2). The “king” metaphor recurs in 1:12; 3:5–11; 7:6. Let us exult: perhaps she is addressing young women, calling on them to join in the praise of her lover.
  3. 1:5 Daughters of Jerusalem: the woman contrasts herself with the elite city women, who act as her female “chorus” (5:9; 6:1). Qedar: a Syrian desert region whose name suggests darkness; tents were often made of black goat hair. Curtains: tent coverings, or tapestries. Solomon: it could also be read Salma, a region close to Qedar.

Pleasing is the fragrance of your perfumes;(A)
    your name(B) is like perfume poured out.
    No wonder the young women(C) love you!
Take me away with you—let us hurry!
    Let the king bring me into his chambers.(D)

Friends

We rejoice and delight(E) in you[a];
    we will praise your love(F) more than wine.

She

How right they are to adore you!

Dark am I, yet lovely,(G)
    daughters of Jerusalem,(H)
dark like the tents of Kedar,(I)
    like the tent curtains of Solomon.[b]

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Footnotes

  1. Song of Songs 1:4 The Hebrew is masculine singular.
  2. Song of Songs 1:5 Or Salma