Psalm 43-45

New English Translation

Footnotes

1. Psalm 43:1 sn Psalm 43. Many medieval Hebrew mss combine Psalm 43 and Psalm 42 into one psalm. Psalm 43 is the only psalm in Book 2 of the Psalter (Psalms 42-72) that does not have a heading, suggesting that it was originally the third and concluding section of Psalm 42. Ps 43:5 is identical to the refrain in Ps 42:11 and almost identical to the refrain in Ps 42:5.
2. Psalm 43:1 tn Or “argue my case.”
3. Psalm 43:1 tn The imperfect here expresses a request or wish. Note the imperatives in the first half of the verse. See also v. 3.
4. Psalm 43:1 tn Heb “from the deceitful and evil man.” The Hebrew text uses the singular form “man” in a collective sense, as the reference to a “nation” in the parallel line indicates.
5. Psalm 43:2 tn Heb “God of my place of refuge,” that is, “God who is my place of refuge.” See Ps 31:4.
6. Psalm 43:2 tn The question is similar to that of Ps 42:9, but זָנַח (zanakh, “reject”) is a stronger verb than שָׁכַח (shakhakh, “forget”).
7. Psalm 43:2 tn The language is similar to that of Ps 42:9, but the Hitpael form of the verb הָלַךְ (halakh; as opposed to the Qal form in 42:9) expresses more forcefully the continuing nature of the psalmist’s distress.
8. Psalm 43:2 sn Walk around mourning. See Ps 38:6 for a similar statement.
9. Psalm 43:3 tn Heb “send.”
10. Psalm 43:3 sn God’s deliverance is compared here to a light which will lead the psalmist back home to the Lord’s temple. Divine deliverance will in turn demonstrate the Lord’s faithfulness to his people.
11. Psalm 43:3 tn Or “may they lead me.” The prefixed verbal forms here and in the next line may be taken as jussives.
12. Psalm 43:3 tn Heb “bring.”
13. Psalm 43:3 sn In this context the Lord’s holy hill is Zion/Jerusalem. See Isa 66:20; Joel 2:1; 3:17; Zech 8:3; Pss 2:6; 15:1; 48:1; 87:1; Dan 9:16.
14. Psalm 43:3 tn Or “to your dwelling place[s].” The plural form of the noun may indicate degree or quality; this is the Lord’s special dwelling place (see Pss 46:4; 84:1; 132:5, 7).
15. Psalm 43:4 tn The cohortative expresses the psalmist’s resolve. Prefixed with the vav (ו) conjunctive it also expresses the result or outcome of the preceding verbs “lead” and “escort.”
16. Psalm 43:4 tn Heb “to God, the joy of my happiness.” The phrase “joy of my happiness” employs an appositional genitive. Synonyms are joined in a construct relationship to emphasize the degree of the psalmist’s joy. For a detailed discussion of the grammatical point with numerous examples, see Y. Avishur, “Pairs of Synonymous Words in the Construct State (and in Appositional Hendiadys) in Biblical Hebrew,” Semitics 2 (1971): 17-81.
17. Psalm 43:4 tn The cohortative with vav (ו) conjunctive probably indicates purpose (“so that”) or intention.
18. Psalm 43:5 tn Heb “Why do you bow down?”
19. Psalm 43:5 sn For poetic effect the psalmist addresses his soul, or inner self.
20. Psalm 43:5 tn Heb “and why are you in turmoil upon me?”
21. Psalm 43:5 tc Heb “for again I will give him thanks, the saving acts of my face and my God.” The last line should be emended to read יְשׁוּעֹת פְנֵי אֱלֹהָי (y^eshuʿot f^ene ʾelohay, “[for] the saving acts of the face of my God,” that is, the saving acts associated with God’s presence/intervention. This refrain is identical to the one in Ps 42:11. See also 42:5, which differs only slightly.
22. Psalm 44:1 sn Psalm 44. The speakers in this psalm (the worshiping community within the nation Israel) were disappointed with God. The psalm begins on a positive note, praising God for leading Israel to past military victories. Verses 1-8 appear to be a song of confidence and petition which the people recited prior to battle. But suddenly the mood changes as the nation laments a recent defeat. The stark contrast between the present and the past only heightens the nation’s confusion. Israel trusted in God for victory, but the Lord rejected them and allowed them to be humiliated in battle. If Israel had been unfaithful to God, their defeat would make sense, but the nation was loyal to the Lord. Comparing the Lord to a careless shepherd, the nation urges God to wake up and to extend his compassion to his suffering people.
23. Psalm 44:1 tn The meaning of the Hebrew term מַשְׂכִּיל (maskil) is uncertain. See the note on the phrase “well-written song” in the superscription of Ps 42.
24. Psalm 44:1 tn Heb “with our ears we have heard.”
25. Psalm 44:1 tn Heb “fathers” (also in v. 2; the same Hebrew word may be translated either “fathers” or “ancestors” depending on the context.
26. Psalm 44:1 tn Heb “the work you worked.”
27. Psalm 44:1 tn Heb “in the days of old.” This refers specifically to the days of Joshua, during Israel’s conquest of the land, as vv. 2-3 indicate.
28. Psalm 44:2 tn Heb “you, your hand.”
29. Psalm 44:2 tn Heb “dispossessed nations and planted them.” The third masculine plural pronoun “them” refers to the fathers (v. 1). See Ps 80:8, 15.
30. Psalm 44:2 tn The verb form in the Hebrew text is a Hiphil preterite (without vav [ו] consecutive) from רָעַע (raʿaʿ, “be evil; be bad”). If retained it apparently means, “you injured; harmed.” Some prefer to derive the verb from רָעַע (“break”; cf. NEB “breaking up the peoples”), in which case the form must be revocalized as Qal (since this verb is unattested in the Hiphil).
31. Psalm 44:2 tn Or “peoples.”
32. Psalm 44:2 tn Heb “and you sent them out.” The translation assumes that the third masculine plural pronoun “them” refers to the fathers (v. 1), as in the preceding parallel line. See Ps 80:11, where Israel, likened to a vine, “spreads out” its tendrils to the west and east. Another option is to take the “peoples” as the referent of the pronoun and translate, “and you sent them away,” though this does not provide as tight a parallel with the corresponding line.
33. Psalm 44:3 tn Or “take possession of.”
34. Psalm 44:3 tn Heb “and their arm did not save them.” The “arm” here symbolizes military strength.
35. Psalm 44:3 tn Heb “your right hand.” The Lord’s “right hand” here symbolizes his power to protect and deliver (see Pss 17:7; 20:6; 21:8).
36. Psalm 44:3 tn Heb “your arm.”
37. Psalm 44:3 tn Heb “light of your face.” The idiom “light of your face” probably refers to a smile (see Eccl 8:1), which in turn suggests favor and blessing (see Num 6:25; Pss 4:6; 31:16; 67:1; 80:3, 7, 19; 89:15; Dan 9:17).
38. Psalm 44:3 tn Or “favorable toward.”
39. Psalm 44:4 sn The speaker changes here to an individual, perhaps the worship leader or the king. The oscillation between singular (vv. 4, 6) and plural (vv. 1-3, 5, 7-8) in vv. 1-8 may reflect an antiphonal ceremony.
40. Psalm 44:4 tc The LXX assumes a participle here (מְצַוֶּה [m^etsavveh], “the one who commands/decrees”) which would stand in apposition to “my God.” It is possible that the MT, which has the imperative (צַוֵּה, tsavveh) form, has suffered haplography of the letter mem (ם). Note that the preceding word (אֱלֹהִים, ʾelohim) ends in mem. Another option is that the MT is divided in the wrong place; perhaps one could move the final mem from אֱלֹהִים to the beginning of the next word and read מְצַוֶּה אֱלֹהָי (ʾelohay m^etsavveh, “[You are my king,] my God, the one who decrees”).tn Or “command.” This may be the Israelites’ petition prior to the battle. See the introductory note to the psalm.
41. Psalm 44:4 tn That is, Israel. See Pss 14:7; 22:23.
42. Psalm 44:5 tn Heb “by you.”
43. Psalm 44:5 tn Heb “gore” (like an ox). If this portion of the psalm contains the song of confidence/petition the Israelites recited prior to battle, then the imperfects here and in the next line may express their expectation of victory. Another option is that the imperfects function in an emphatic generalizing manner. In this case one might translate, “you [always] drive back…you [always] trample down.”sn The Hebrew verb translated “drive back” is literally “gore”; the imagery is that of a powerful wild ox that “gores” its enemies and tramples them underfoot.
44. Psalm 44:5 tn Heb “in your name.” The Lord’s “name” refers here to his revealed character or personal presence. Specifically in this context his ability to deliver, protect, and energize for battle is in view (see Ps 54:1).
45. Psalm 44:5 sn The image of the powerful wild ox continues; see the note on the phrase “drive back” in the preceding line.
46. Psalm 44:5 tn Heb “those who rise up [against] us.”
47. Psalm 44:7 tn Or “have delivered,” if past successes are in view. Another option is to take the perfect as rhetorical, emphasizing that victory is certain (note the use of the imperfect in vv. 5-6).
48. Psalm 44:7 tn Or “have humiliated,” if past successes are in view. Another option is to take the perfect as rhetorical, emphasizing that victory is certain (note the use of the imperfect in vv. 5-6).
49. Psalm 44:9 tn The particle אַף (ʾaf, “but”) is used here as a strong adversative contrasting the following statement with what precedes.
50. Psalm 44:9 tn Heb “you did not go out with our armies.” The prefixed verbal form is a preterite (without vav [ו] consecutive).
51. Psalm 44:10 tn Heb “you caused us to turn backward.”
52. Psalm 44:10 tn Heb “plunder for themselves.” The prepositional phrase לָמוֹ (lamo, “for themselves”) here has the nuance “at their will” or “as they please” (see Ps 80:6).
53. Psalm 44:11 tn The prefixed verbal form is a preterite (without vav [ו] consecutive).
54. Psalm 44:12 tn The prefixed verbal form is a preterite (without vav [ו] consecutive).
55. Psalm 44:12 tn Heb “for what is not wealth.”
56. Psalm 44:12 tn Heb “you did not multiply their purchase prices.”
57. Psalm 44:13 tn The prefixed verbal form is a preterite (without vav [ו] consecutive).
58. Psalm 44:13 tn Heb “an [object of] taunting and [of] mockery to those around us.”
59. Psalm 44:14 tn The prefixed verbal form is a preterite (without vav [ו] consecutive).
60. Psalm 44:14 tn Heb “a proverb,” or “[the subject of] a mocking song.”
61. Psalm 44:14 tn Heb “a shaking of the head among the peoples.” Shaking the head was a derisive gesture (see Jer 18:16; Lam 2:15).
62. Psalm 44:15 tn Heb “all the day my humiliation [is] in front of me.”
63. Psalm 44:15 tn Heb “and the shame of my face covers me.”
64. Psalm 44:16 tn Heb “from the voice of one who ridicules and insults, from the face of an enemy and an avenger.” See Ps 8:2.
65. Psalm 44:17 tn Heb “we have not forgotten you.” To “forget” God refers here to worshiping false gods and thereby refusing to recognize his sovereignty (see v. 20, as well as Deut 8:19; Judg 3:7; 1 Sam 12:9; Isa 17:10; Jer 3:21; Ps 9:17).Thus the translation “we have not rejected you” has been used.
66. Psalm 44:17 tn Heb “and we did not deal falsely with your covenant.”
67. Psalm 44:18 tn Heb “our heart did not turn backward.” Cf. Ps 78:57.
68. Psalm 44:18 tn Heb “and our steps did [not] turn aside from your path.” The negative particle is understood by ellipsis (see the preceding line). God’s “path” refers to his commands, i.e., the moral pathway he has prescribed for the psalmist. See Pss 17:5; 25:4.
69. Psalm 44:19 tn Heb “yet you have battered us in a place of jackals.”
70. Psalm 44:19 tn The Hebrew term צַלְמָוֶת (tsalmavet) has traditionally been understood as a compound noun meaning “shadow of death” (מָוֶת + צֵל [tsel + mavet]; see BDB 853 s.v. צַלְמָוֶת; cf. NASB). Other scholars prefer to vocalize the form צַלְמוּת (tsalmut) and understand it as an abstract noun (from the root צלם) meaning “darkness” (cf. NIV, NRSV). An examination of the word’s usage favors the latter derivation. It is frequently associated with darkness/night and contrasted with light/morning (see Job 3:5; 10:21-22; 12:22; 24:17; 28:3; 34:22; Ps 107:10, 14; Isa 9:1; Jer 13:16; Amos 5:8). In some cases the darkness described is associated with the realm of death (Job 10:21-22; 38:17), but this is a metaphorical application of the word and does not reflect its inherent meaning. In Ps 44:19 darkness symbolizes defeat and humiliation.
71. Psalm 44:20 tn Heb “If we had forgotten the name of our God.” To “forget the name” here refers to rejecting the Lord’s authority (see Jer 23:27) and abandoning him as an object of prayer and worship (see the next line).
72. Psalm 44:20 tn Heb “and spread out your hands to another god.” Spreading out the hands was a prayer gesture (see Exod 9:29, 33; 1 Kgs 8:22, 38; 2 Chr 6:12-13, 29; Ezra 9:15; Job 11:13; Isa 1:15). In its most fundamental sense זָר (zar, “another; foreign; strange”) refers to something that is outside one’s circle, often making association with it inappropriate. A “strange” god is an alien deity, an “outside god” (see L. A. Snijders, TDOT 4:54-55).
73. Psalm 44:21 tn The active participle describes what is characteristically true.
74. Psalm 44:21 tn Heb “would not God search out this, for he knows the hidden things of [the] heart?” The expression “search out” is used metonymically here, referring to discovery, the intended effect of a search. The “heart” (i.e., mind) is here viewed as the seat of one’s thoughts. The rhetorical question expects the answer, “Of course he would!” The point seems to be this: There is no way the Israelites who are the speakers in the psalm would reject God and turn to another god, for the omniscient God would easily discover such a sin.
75. Psalm 44:22 tn The statement “because of you” (1) may simply indicate that God is the cause of the Israelites’ defeat (see vv. 9-14, where the nation’s situation is attributed directly to God’s activity, and cf. NEB, NRSV), or (2) it may suggest they suffer because of their allegiance to God (see Ps 69:7 and Jer 15:15). In this case one should translate, “for your sake” (cf. NASB, NIV). The citation of this verse in Rom 8:36 follows the LXX (Ps 43:23 LXX), where the Greek term ἕνεκεν (heneken; LXX ἕνεκα) may likewise mean “because of” or “for the sake of” (BDAG 334 s.v. ἕνεκα 1).
76. Psalm 44:22 tn Or “regarded as.”
77. Psalm 44:22 tn Heb “like sheep of slaughtering,” that is, sheep destined for slaughter.
78. Psalm 44:23 sn Wake up! See Ps 35:23.
79. Psalm 44:24 tn Heb “Why do you hide your face?” The idiom “hide the face” can mean “ignore” (see Pss 10:11; 13:1; 51:9) or carry the stronger idea of “reject” (see Pss 30:7; 88:14).
80. Psalm 44:24 tn Or “forget.”
81. Psalm 44:24 tn Heb “our oppression and our affliction.”
82. Psalm 44:25 tn Heb “for our being/life sinks down to the dirt, our belly clings to the earth.” The suffixed form of נֶפֶשׁ (nefesh, “being, life”) is often equivalent to a pronoun in poetic texts.
83. Psalm 44:26 tn Or “redeem us.” See Pss 25:22; 26:11; 69:18; 119:134.
84. Psalm 45:1 sn Psalm 45. This is a romantic poem celebrating the Davidic king’s marriage to a lovely princess. The psalmist praises the king for his military prowess and commitment to justice, urges the bride to be loyal to the king, and anticipates that the marriage will be blessed with royal offspring.
85. Psalm 45:1 tn Heb “according to lilies.” “Lilies” may be a tune title or musical style, suggestive of romantic love. The imagery of a “lily” appears frequently in the Song of Songs in a variety of contexts (see 2:1-2, 16; 4:5; 5:13; 6:2-3; 7:2).
86. Psalm 45:1 tn The meaning of the Hebrew term מַשְׂכִּיל (maskil) is uncertain. See the note on the phrase “well-written song” in the superscription of Ps 42.
87. Psalm 45:1 tn Heb “[with] a good word.” The “good word” probably refers here to the song that follows.
88. Psalm 45:1 tn Heb “my works [are] for a king.” The plural “works” may here indicate degree, referring to the special musical composition that follows.
89. Psalm 45:1 tn Heb “my tongue [is] a stylus of a skillful scribe.” Words flow from the psalmist’s tongue just as they do from a scribe’s stylus.
90. Psalm 45:2 tn Heb “you are handsome from the sons of man.” The preposition “from” is used in a comparative (“more than”) sense. The peculiar verb form יָפְיָפִיתָ (yafyafita) is probably the result of dittography of יפ (yod-pe) and should be emended to יָפִיתָ (yafita). See GKC 152 §55.e.
91. Psalm 45:2 tn Heb “favor is poured out on your lips.” “Lips” probably stands by metonymy for the king’s speech. Some interpret the Hebrew term חֵן (khen) as referring here to “gracious (i.e., kind and polite) speech”, but the word probably refers more generally to “attractive” speech that is impressively articulated and fitting for the occasion. For other instances of the term being used of speech, see Prov 22:11 and Eccl 10:12.
92. Psalm 45:2 tn Or “this demonstrates.” The construction עַל־כֵּן (ʿal ken, “therefore”) usually indicates what logically follows from a preceding statement. However, here it may infer the cause from the effect, indicating the underlying basis or reason for what precedes (see BDB 487 s.v. I כֵּן 3.f; C. A. Briggs and E. G. Briggs, Psalms [ICC], 1:386).
93. Psalm 45:2 tn Or “blesses you forever.” Here “bless” means to “endue with the power and skill to rule effectively,” as the following verses indicate.
94. Psalm 45:3 tn Or “mighty one.”
95. Psalm 45:3 tn The Hebrew text has simply, “your majesty and your splendor,” which probably refers to the king’s majestic splendor when he appears in full royal battle regalia.
96. Psalm 45:4 tn Heb “and your majesty, be successful.” The syntax is awkward. The phrase “and your majesty” at the beginning of the verse may be accidentally repeated (dittography); it appears at the end of v. 3.
97. Psalm 45:4 tn Or “for the sake of truth.”
98. Psalm 45:4 tc The precise meaning of the MT is uncertain. The form עַנְוָה (ʿanvah) occurs only here. One could emend the text to עֲנָוָה וְצֶדֶק (ʿanavah v^etsedeq, “[for the sake of truth], humility, and justice”). In this case “humility” would perhaps allude to the king’s responsibility to “serve” his people by promoting justice (cf. NIV “in behalf of truth, humility and righteousness”). The present translation assumes an emendation to יַעַן (yaʿan, “because; on account of”) which would form a suitable parallel to עַל־דְּבַר (ʿal d^evar, “because; for the sake of”) in the preceding line.
99. Psalm 45:4 tn Heb “and your right hand will teach you mighty acts”; or “and may your right hand teach you mighty acts.” After the imperatives in the first half of the verse, the prefixed verbal form with vav (ו) conjunctive likely indicates purpose (“so that your right hand might teach you mighty acts”) or result (see the present translation). The “right hand” here symbolizes the king’s military strength. His right hand will “teach” him mighty acts by performing them and thereby causing him to experience their magnificence.
100. Psalm 45:5 tn Heb “your arrows are sharp—peoples beneath you fall—in the heart of the enemies of the king.” The choppy style reflects the poet’s excitement.
101. Psalm 45:6 sn The king’s throne here symbolizes his rule.
102. Psalm 45:6 tn Or “forever and ever.”sn O God. The king is clearly the addressee here, as in vv. 2-5 and 7-9. Rather than taking the statement at face value, many prefer to emend the text because the concept of deifying the earthly king is foreign to ancient Israelite thinking (cf. NEB “your throne is like God’s throne, eternal”). However, it is preferable to retain the text and take this statement as another instance of the royal hyperbole that permeates the royal psalms. Because the Davidic king is God’s vice-regent on earth, the psalmist addresses him as if he were God incarnate. God energizes the king for battle and accomplishes justice through him. A similar use of hyperbole appears in Isa 9:6, where the ideal Davidic king of the eschaton is given the title “Mighty God” (see the note on this phrase there). Ancient Near Eastern art and literature picture gods training kings for battle, bestowing special weapons, and intervening in battle. According to Egyptian propaganda, the Hittites described Rameses II as follows: “No man is he who is among us, It is Seth great-of-strength, Baal in person; Not deeds of man are these his doings, They are of one who is unique” (see Miriam Lichtheim, Ancient Egyptian Literature, 2:67). Ps 45:6 and Isa 9:6 probably envision a similar kind of response when friends and foes alike look at the Davidic king in full battle regalia. When the king’s enemies oppose him on the battlefield, they are, as it were, fighting against God himself.
103. Psalm 45:6 sn The king’s scepter symbolizes his royal authority.
104. Psalm 45:7 sn To love justice means to actively promote it.
105. Psalm 45:7 sn To hate evil means to actively oppose it.
106. Psalm 45:7 tn For other examples of the repetition of Elohim, “God,” see Pss 43:4; 48:8, 14; 50:7; 51:14; 67:7. Because the name Yahweh (“Lord”) is relatively rare in Pss 42-83, where the name Elohim (“God”) predominates, this compounding of Elohim may be an alternative form of the compound name “the Lord my/your/our God.”
107. Psalm 45:7 sn Anointed you. When read in the light of the preceding context, the anointing is most naturally taken as referring to the king’s coronation. However, the following context (vv. 8-9) focuses on the wedding ceremony, so some prefer to see this anointing as part of the king’s preparations for the wedding celebration. Perhaps the reference to his anointing at his coronation facilitates the transition to the description of the wedding, for the king was also anointed on this occasion.
108. Psalm 45:7 sn The phrase oil of joy alludes to the fact that the coronation of the king, which was ritually accomplished by anointing his head with olive oil, was a time of great celebration and renewed hope. (If one understands the anointing in conjunction with the wedding ceremony, the “joy” would be that associated with the marriage.) The phrase “oil of joy” also appears in Isa 61:3, where mourners are granted “oil of joy” in conjunction with their deliverance from oppression.
109. Psalm 45:7 tn Heb “from your companions.” The “companions” are most naturally understood as others in the royal family or, more generally, as the king’s countrymen.sn Verses 6-7 are quoted in Heb 1:8-9, where they are applied to Jesus.
110. Psalm 45:8 tn The words “perfumed with” are supplied in the translation for clarification.
111. Psalm 45:8 tn Heb “the palaces of ivory.” The phrase “palaces of ivory” refers to palaces that had ivory panels and furniture decorated with ivory inlays. Such decoration with ivory was characteristic of a high level of luxury. See 1 Kgs 22:39 and Amos 3:15.
112. Psalm 45:8 tn Heb “from the palaces of ivory stringed instrument[s] make you happy.”
113. Psalm 45:9 tn Heb “daughters of kings.”
114. Psalm 45:9 tn Heb “valuable ones.” The form is feminine plural.
115. Psalm 45:9 tn This rare Hebrew noun apparently refers to the king’s bride, who will soon be queen (see Neh 2:6). The Aramaic cognate is used of royal wives in Dan 5:2-3, 23.
116. Psalm 45:9 tn Heb “a consort stands at your right hand, gold of Ophir.”sn Gold from Ophir is also mentioned in Isa 13:12 and Job 28:16. The precise location of Ophir is uncertain; Arabia, India, East Africa, and South Africa have all been suggested as options.
117. Psalm 45:10 tn Heb “daughter.” The Hebrew noun בַּת (bat, “daughter”) can sometimes refer to a young woman in a general sense (see H. Haag, TDOT 2:334).sn Listen, O princess. The poet now addresses the bride.
118. Psalm 45:10 tn Heb “see and turn your ear.” The verb רָאָה (raʾah, “see”) is used here of mental observation.
119. Psalm 45:10 tn Heb “your people.” This reference to the “people” of the princess suggests she was a foreigner. Perhaps the marriage was arranged as part of a political alliance between Israel (or Judah) and a neighboring state. The translation “your homeland” reflects such a situation.
120. Psalm 45:10 tn Heb “and the house of your father.”
121. Psalm 45:11 tn After the preceding imperatives, the jussive verbal form with vav (ו) conjunctive is best understood as introducing a purpose (“so that the king might desire your beauty”) or result clause (see the present translation and cf. also NASB). The point seems to be this: The bride might tend to be homesick, which in turn might cause her to mourn and diminish her attractiveness. She needs to overcome this temptation to unhappiness and enter into the marriage with joy. Then the king will be drawn to her natural beauty.
122. Psalm 45:11 tn Or “desire.”
123. Psalm 45:11 tn Or “bow down.”
124. Psalm 45:11 sn Submit to him. The poet here makes the point that the young bride is obligated to bring pleasure to her new husband. Though a foreign concept to modern western culture, this was accepted as the cultural norm in the psalmist’s day.
125. Psalm 45:12 tn Heb “and a daughter of Tyre with a gift, your face they will appease, the rich of people.” The phrase “daughter of Tyre” occurs only here in the OT. It could be understood as addressed to the bride, indicating she was a Phoenician (cf. NEB). However, often in the OT the word “daughter,” when collocated with the name of a city or country, is used to personify the referent (see, for example, “Daughter Zion” in Ps 9:14, and “Daughter Babylon” in Ps 137:8). If that is the case here, then “Daughter Tyre” identifies the city-state of Tyre as the place from which the rich people come (cf. NRSV). The idiom “appease the face” refers to seeking one’s favor (see Exod 32:11; 1 Sam 13:12; 1 Kgs 13:6; 2 Kgs 13:4; 2 Chr 33:12; Job 11:19; Ps 119:58; Prov 19:6; Jer 26:19; Dan 9:13; Zech 7:2; 8:21-22; Mal 1:9).
126. Psalm 45:13 tn Heb “[the] daughter of a king.”
127. Psalm 45:13 tn Heb “[is] completely glorious.”
128. Psalm 45:13 tc Heb “within, from settings of gold, her clothing.” The Hebrew term פְּנִימָה (p^enimah, “within”), if retained, would go with the preceding line and perhaps refer to the bride being “within” the palace or her bridal chamber (cf. NIV, NRSV). Since the next two lines refer to her attire (see also v. 9b), it is preferable to emend the form to פְּנִינִיהָּ (p^eniniha, “her pearls”) or to פְּנִינִים (p^eninim, “pearls”). The mem (מ) prefixed to “settings” is probably dittographic.
129. Psalm 45:14 tn Heb “virgins after her, her companions, are led to you.” Some emend לָךְ (lakh, “to you”) to לָהּ (lah, “to her,” i.e., the princess), because the princess is now being spoken of in the third person (vv. 13-14a), rather than being addressed directly (as in vv. 10-12). However, the ambiguous suffixed form לָךְ need not be taken as second feminine singular. The suffix can be understood as a pausal second masculine singular form, addressed to the king. The translation assumes this to be the case; note that the king is addressed once more in vv. 16-17, where the second person pronouns are masculine.
130. Psalm 45:15 tn Heb “they are led with joy and happiness, they enter the house of the king.”
131. Psalm 45:16 tn The pronoun is second masculine singular, indicating the king is being addressed from this point to the end of the psalm.
132. Psalm 45:16 tn The prefixed verbal form could be taken as jussive and the statement interpreted as a prayer, “May your sons carry on the dynasty of your ancestors!” The next line could then be taken as a relative clause, “[your sons] whom you will make princes throughout the land.”
133. Psalm 45:16 tn Heb “in place of your fathers will be your sons.”
134. Psalm 45:17 tn Heb “I will cause your name to be remembered in every generation and generation.” The cohortative verbal form expresses the poet’s resolve. The king’s “name” stands here for his reputation and character, which the poet praised in vv. 2-7.
135. Psalm 45:17 sn The nations will praise you. As God’s vice-regent on earth, the king is deserving of such honor and praise.